Blazar Viper 50mm T2.1 1.5X anamorphic Lens (PL- / EF-Mount)

Translation missing: en.products.product.price.regular_price €999,00 EUR
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Blazar Viper 50mm T2.1 1.5X anamorphic Lens (PL- / EF-Mount)

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Blazar Viper 50mm T2.1 1.5X anamorphic Lens (PL- / EF-Mount)

Blazar Viper 50mm T2.1 1.5X anamorphic Lens (PL- / EF-Mount)

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EF Mount Compatibility
Blazar Viper 50mm T2.1 1.5X Full Frame Anamorphic Lens | Better Focus

Blazar Viper 50mm T2.1 1.5X Full Frame Anamorphic Lens

The Blazar Viper 50mm T2.1 1.5X Full Frame Anamorphic Lens is a manual focus cinema lens created for filmmakers who want a balanced anamorphic focal length with strong subject emphasis, cinematic depth, and a practical production-ready form factor. With its constant 1.5x squeeze ratio, fast T2.1 aperture, and full-frame coverage, the Viper 50mm delivers widescreen anamorphic imagery with elegant oval bokeh, controlled rainbow flares, and a refined optical signature that feels cinematic without becoming overwhelming.

Product Video

The Cinematic Sweet Spot of the Viper Series

The 50mm focal length sits at the heart of the Blazar Viper lineup, offering a natural perspective that is highly adaptable across narrative filmmaking, branded content, interviews, music videos, and commercial productions. It frames subjects with a cinematic intimacy while still preserving enough environmental context to create layered, immersive images. Combined with the 1.5x anamorphic squeeze, the Viper 50mm produces a wide cinematic frame with stretched highlights, expressive oval background rendering, and a visual depth that instantly separates it from standard spherical lenses.

1.5X Anamorphic Look with Distinctive 1.8X-Style Bokeh

One of the defining visual advantages of the Viper 50mm is the way it renders out-of-focus areas. Its advanced optical design creates a bokeh character reminiscent of a richer 1.8x anamorphic look, giving backgrounds a more dramatic oval stretch and a more luxurious cinematic texture. This makes the lens especially appealing for filmmakers who want a stronger anamorphic personality while maintaining a clean, production-friendly image that remains versatile across many different shooting scenarios.

Fast T2.1 Aperture for Low-Light and Subject Separation

With its bright T2.1 aperture, the Blazar Viper 50mm is well suited to low-light cinematography, interior scenes, practical-light setups, and productions that rely on strong visual separation between subject and background. The combination of focal length, squeeze factor, and aperture makes this lens particularly effective for medium close-ups, portraits, and emotionally driven cinematic compositions. It delivers a polished and dimensional image while still feeling organic and filmic.

Compact Full-Frame Anamorphic Lens for Modern Sets

Unlike many traditional anamorphic lenses that can quickly become bulky and difficult to manage, the Viper 50mm remains compact and lightweight enough for fast-paced modern production work. At approximately 591g, it is easy to integrate into handheld setups, gimbal builds, compact cinema rigs, and lightweight support systems. For filmmakers who want the visual rewards of anamorphic shooting without sacrificing mobility, the Viper 50mm offers an especially compelling balance between cinematic character and operational flexibility.

Manual Cinema Control with Production-Friendly Handling

The Blazar Viper 50mm is designed as a true manual cinema lens with a dedicated focus housing and a long 200° focus rotation for precise control. This makes it highly suitable for filmmakers who value deliberate focus work, repeatable marks, and tactile lens operation on set. Whether used in solo productions or more controlled cinematic environments, the lens provides the confidence and consistency expected from a purpose-built manual anamorphic tool.

Refined Optics with Controlled Distortion and Minimal Breathing

Optically, the Viper 50mm is engineered to deliver a cleaner image than many older anamorphic designs while preserving the visual identity filmmakers actually want. It offers strong edge-to-edge sharpness, minimal focus breathing, and tightly controlled barrel distortion, helping to avoid distracting image warping or an exaggerated fishbowl look. The result is a lens that feels expressive and cinematic, but still polished enough for high-end commercial and professional production use.

Soft Rainbow Flares with Cinematic Restraint

The flare rendering of the Blazar Viper 50mm is another area where the lens stands out. Rather than producing harsh or overly aggressive streaks, it generates soft, organic, and predictable rainbow flares that can enhance a frame without taking it over. This gives cinematographers more flexibility in real-world lighting conditions and makes the lens easier to use across a wider variety of visual styles, from moody narrative work to cleaner branded productions.

Viper vs. Talon vs. Mantis

Within the Blazar ecosystem, the Viper 50mm fills a unique role. Compared to the Talon series, the Viper is the more classical manual-focus option for filmmakers who prefer a traditional cinema workflow over autofocus-based operation. Talon is built around speed and autofocus convenience, while the Viper focuses on tactile precision, full manual control, and a more deliberate shooting experience.

Compared to the Mantis series, the Viper 50mm delivers a stronger 1.5x anamorphic squeeze, resulting in a more pronounced widescreen look and a more assertive anamorphic rendering style. Mantis lenses are an excellent choice for users who need broader mount options and a larger focal length range, but the Viper 50mm is especially attractive for filmmakers who want more anamorphic intensity in a compact full-frame manual cinema lens.

For many creators, the Viper 50mm represents the most balanced option of the three approaches: more anamorphic presence than Mantis, more manual precision than Talon, and a focal length that works across a huge range of cinematic applications. It is particularly well suited to filmmakers who want one highly versatile anamorphic lens that can move comfortably between portraits, dialogue scenes, handheld work, and commercial visuals.

Key Features

  • 50mm full-frame anamorphic cinema lens for versatile cinematic compositions
  • Constant 1.5x anamorphic squeeze ratio
  • Distinctive 1.8x-style oval bokeh character
  • Fast T2.1 aperture for low-light performance and subject separation
  • Full-frame and Vista Vision coverage
  • Fully manual cinema housing with precise focus control
  • Long 200° focus rotation for smooth manual focusing
  • Compact approx. 591g design for gimbals, handheld rigs, and mobile setups
  • Strong edge-to-edge sharpness with minimal focus breathing
  • Controlled barrel distortion with no distracting fishbowl effect
  • Soft, organic, and predictable rainbow flares
  • 77mm filter thread and 80mm front diameter for easy rig integration

Technical Specifications

Focal Length 50mm
T-Stop T2.1
Squeeze Factor 1.5x
Coverage Full Frame / Vista Vision
Mount Options PL / EF
Minimum Focus Distance 0.65m / 2.1ft
Focus Rotation 200°
Aperture Blades 16
Front Diameter 80mm
Filter Thread 77mm
Weight Approx. 591g

Perfect For

  • Narrative filmmaking and dialogue scenes
  • Portrait cinematography with anamorphic depth
  • Commercial and branded video production
  • Music videos with cinematic subject separation
  • Handheld anamorphic shooting
  • Gimbal-based full-frame cinema setups

In the Box

  • Blazar Viper 50mm T2.1 1.5X Full Frame Anamorphic Lens
  • Front cap
  • Rear cap
  • Protective packaging

Why Choose the Blazar Viper 50mm?

The Blazar Viper 50mm is an outstanding choice for filmmakers who want a versatile full-frame anamorphic lens with a natural cinematic perspective, strong subject focus, and a compact manual cinema design. It offers the visual richness of anamorphic widescreen capture, the control of a dedicated manual focus housing, and the portability needed for modern productions. For creators looking for a go-to anamorphic focal length that works across a wide variety of real-world shooting situations, the Viper 50mm stands out as one of the most flexible and visually rewarding options in the series.

Why Buy from Better Focus

  • Official EU dealer with genuine products and full manufacturer support
  • Fast shipping from Germany for reliable delivery across Europe
  • No import taxes within the EU
  • Real filmmaker support for compatibility, rigging, and filter advice
  • Secure packaging for professional cinema gear
  • Personal pre-sales and after-sales assistance

DHL Shipping Cost from our Warehouse in Germany:

Germany: 19.99€ (No import cost)
EU: 29.99€ (No import cost, VAT-free available at checkout)
UK and Switzerland: 59.99€ (Buyer must pay import costs and customs)

For other countries, please contact us.

Our Best Price Guarantee ensures that you always get the lowest price on the market. If you find a lower price for the exact same product elsewhere, let us know, and we will match it. We are committed to offering you the best value for your purchase, so you can shop with confidence.
Simply text us at: support@better-focus.com

How to Reverse Charge

We offer Reverse Charge for our business customers within the EU. This means that businesses within the EU with a valid VAT number can make purchases without paying the German VAT, which is 19%. However, this does not apply to German business customers, as our shop is based in Germany.

Here is a video which explains how to use reverse-charge:
To make a VAT-free purchase, simply add the products to your shopping cart and then go to the cart, not directly to the checkout. In the cart, you will see all prices including VAT. Scroll down until you find the reverse charge form. Here, you need to enter your VAT number, including your country code, and your email address. Once entered, press the checkout button, and your VAT number will be verified.
If your VAT number is valid, you will receive a notification in the checkout indicating that the prices have been adjusted accordingly and the VAT has been removed.

If this process does not work for you, please don't place your order now, as we cannot refund VAT after the purchase. Instead, contact us with your VAT number and the products you want to order. We will create a manual order for you without VAT.
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Alert me if this item is restocked.

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Blazar Viper 50mm T2.1 1.5X anamorphic Lens (PL- / EF-Mount)

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EF Mount Compatibility – Please Read

PLEASE NOTE: Several Blazar lenses fitted with the official Blazar EF mount have a large rear protrusion that can prevent proper mounting on certain EF cameras and adapters. This applies to: Remus 33mm, Cato 40mm, and Mantis 25/35/50/75/100mm.


When EF Compatibility Is Unlikely (Incompatible Example)

  • Older DSLRs that use a physical mirror and/or mechanical shutter assemblies.
  • Speed boosters or EF adapters that contain optical elements, drop-in filters, or similar modules.
  • Electronic EF adapters with internal contacts, boards, or housings that extend into the mount.
  • Cameras/adapters with any parts that protrude deep inside the EF throat. If components extend past the inner mount boundary (see “Incompatible Example”), Blazar EF lenses may not seat or lock.

When EF Compatibility Is More Likely (More Compatible Example)

  • Passive (non-electronic) EF adapters with a clear, open throat.
  • Cameras/adapters that have no glass elements, drop-in filter modules, or internal parts sticking into the mount (see “More Compatible Example”).


How to Self-Check Before You Buy

  1. Review the protrusion specs: Each Blazar lens has a technical diagram listing its rear protrusion for PL and EF mounts.
  2. Compare against your camera/adapter: If your body/adapter’s maximum supported protrusion is greater than the lens protrusion, mounting should be possible.
  3. Inspect the mount cavity: Look for electronics, glass, or mechanical parts extending past the inner mount circle—these are common points of interference.

Need the Drawings?

You’ll find technical diagrams for all Blazar lenses—showing rear protrusion measurements for both PL and EF—below on this page. Use these to confirm fit with your specific EF camera or adapter.

Questions?

If you’re unsure about your setup, contact us with your camera model and (if applicable) the exact adapter brand/model. We’re happy to help verify EF compatibility before you order.

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